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Simona Mehnert
Enter the Painting
Rarely do we witness in contemporary art a concept
in painting whose shapes - when transferred from the surface of the painting
and converted to plastic form - expand their effect out into space. The
exhibition of Petr Kvíčala at Gallery Behémót offers more than just an
opportunity to see such an artistic process; we can also participate in
a rare artistic adventure: upon entering the gallery, we instantly find
ourselves in Kvíčala´s painting and we have the opportunity to walk among
his many colored lines. Being Kvíčala´s exclusive artistic means, they
are familiar to us from his paintings. Six colors and six shapes intersect
in his paintings in various ways. However this time the artist comes up
with a new solution for his theme.
In the first room of the gallery Kvíčala plunges directly into the spatial
disposition of the gallery, placing individual color lines that break
loose from the walls in such a way that the viewer is able to experience
direct movement within the work’s composition. A space composition is
placed in the center of the room in which lines are formulated in their
negative form. Here we move directly among the trajectories of lines,
passing red objects of materialized between-spaces along the way. This
is not about the presentation of a compact object which we can walk around;
Kvíčala has made a space installation that we are physically pulled into
and forced to negotiate the inner complex of shape and space structure.
In the process, the perspective of our gaze is changed. The view is not
from the outside of a painting, whose compact closed form is perceived
as a solid unity, but from the inner transitive space, i.e. directly from
the middle, where one is physically drawn in and from where one perceives
shapes, colors and the organization of lines in their material, plastic
form. Kvíčala has created here a spatial situation using painting as its
basis, and viewers are invited to participate, to take part in temporal
painting in three-dimensional form, painting with a physical dimension,
which at that very moment becomes the immediate essence of our being.
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